Italy


Showing 1–12 of 38 results

  • Arianna Occhipinti BB 2020

    £69.95

    One bottle available.

    “The 2020 Frappato Vino di Contrada BB shows a slightly more saturated hue with dark fruit flavors of black cherry and fresh plum. I like the impeccable balance of the BB (from the Contrada Bombolieri with sandy soils and stones), which is more accessible and primary next to the Contrada PT and without the earthy overtones you get in the Contrada FL. Drink: 2023-2030. 94 points

    Arianna Occhipinti is experiencing a terrific moment in her young career with another set of spectacular and highly individual wines. These releases from 2020 (following her 2019 wines) are worth your attention.”

    Monica Larner, Wine Advocate (06/23)

    In Stock

  • Arianna Occhipinti SM 2021

    £58.95

    “The 2021 Contrade SM is a varietal Grillo with a deep golden-yellow color. The bouquet evokes musky dried peaches, apricots, sweet herbs and ground ginger. It’s soft-textured, with zesty acidity and saline minerals up front that give way to vivid yellow apples and savory spice. This finishes long, dry and lightly structured, yet harmonious, displaying all the components necessary for a steady evolution, as a bitter tinge keeps the mouth watering for more. This is a fascinating Grillo that exceeds expectations. Two thousand and twenty-one is only the second vintage of Contrade SM, which hails from a vineyard planted in 2016 at 500 meters in soils of sandy calcareous marl. Drinking window: 2024-2028. 93 points

    From top to bottom, these new releases from Arianna Occhipinti are fantastic. It’s great to see that even as her popularity and fan base have grown over the last 20 years, Occhipinti has stuck to her roots, creating an exciting portfolio of both vintage and terroir-driven wines made through all-natural and organic means. The niece of Giusto Occhipinti of COS, she started her own project at the age of twenty-two with just one hectare of abandoned vines in the commune of Vittoria. The portfolio has grown today, but Occhipinti’s artisanal touch in these wines is still apparent. Nearly all are wonderful upon release yet also balanced for the cellar.”

    Eric Guido, Vinous (09/23)

    In Stock

  • Arianna Occhipinti SP68 Bianco 2022

    £22.95

    “Pungent florals, ground ginger and grapefruit form a zesty bouquet as the 2022 Bianco SP68 opens in the glass. It’s soft and round. Juicy acidity and tropical citrus tones enliven its tart orchard fruits. This finishes surprisingly long, leaving exotic inner florals and sour melon notes to fade slowly. What a treat. The SP68 Bianco is a blend of Albana and Zibibbo. Drinking window: 2023-2026. 90 points

    From top to bottom, these new releases from Arianna Occhipinti are fantastic. It’s great to see that even as her popularity and fan base have grown over the last 20 years, Occhipinti has stuck to her roots, creating an exciting portfolio of both vintage and terroir-driven wines made through all-natural and organic means. The niece of Giusto Occhipinti of COS, she started her own project at the age of twenty-two with just one hectare of abandoned vines in the commune of Vittoria. The portfolio has grown today, but Occhipinti’s artisanal touch in these wines is still apparent. Nearly all are wonderful upon release yet also balanced for the cellar.”

    Eric Guido, Vinous (09/23)

    In Stock

  • Arianna Occhipinti SP68 Rosso 2022

    £22.95

    “The remarkably pretty 2022 Rosso SP68 is perfumed with a blend of violets, roses, white pepper and dried strawberries. This is built on purity, with sweet herbal tones accentuating citrus-tinged wild berry fruits, all energized by brisk acidity. The SP68 finishes with a gentle, cheek-puckering tension, leaving a lovely lavender hint to fade slowly. Drinking window: 2023-2026. 90 points

    From top to bottom, these new releases from Arianna Occhipinti are fantastic. It’s great to see that even as her popularity and fan base have grown over the last 20 years, Occhipinti has stuck to her roots, creating an exciting portfolio of both vintage and terroir-driven wines made through all-natural and organic means. The niece of Giusto Occhipinti of COS, she started her own project at the age of twenty-two with just one hectare of abandoned vines in the commune of Vittoria. The portfolio has grown today, but Occhipinti’s artisanal touch in these wines is still apparent. Nearly all are wonderful upon release yet also balanced for the cellar.”

    Eric Guido, Vinous (09/23)

    In Stock

  • Calabretta La Contrada dei Centenari 2019

    £63.75

    Review to follow

    In Stock

  • Calabretta Nonna Concetta Nerello Mascalese 2019

    £63.75

    “This is the top-shelf wine from Massimiliano Calabretta that clearly shows its seniority within the estate portfolio. Dedicated to grandma Concetta, the 2019 Nerello Mascalese Nonna Concetta is made with very old vines, some over 100 years old, some younger vines and some vines that are planted on their original rootstock. The wine carries a Terre Siciliane IGT appellation and a mere 1,000 bottles were released. Fruit is sourced from the higher part of the Feudo di Mezzo vineyard (at 680 meters in elevation). The wine is punchy and bright (with some minor volatility), flaunting its artisanal winemaking approach (with short fermentations and neutral oak) and fleshed-out texture. This 2019 vintage is recognized for its concentrated fruit. There is a pinch of cherry sourness on the close, but the wine offers beautifully naked and pure intensity. Drink: 2021-2029. 93+ points

    Massimiliano Calabretta has access to some excellent fruit from across different contrade. His vineyards start off at 550 meters in elevation at the lower part of Feudo di Mezzo and rise to 680 meters in the upper part. His Calderara Sottana and Taccione sites go up to 730 meters in elevation, and his Montedolce di Solicchiata vineyard is at 780 meters above sea level. Lastly, he farms Pinot Nero in a vineyard called Zocconero at 900 meters, and he says that the Nerello Mascalese that was once planted there only reached full maturity in one vintage out of four. He has recently acquired new land with ancient vines in Calderara Sottana and planted some new Nerello Mascalese vines in Taccione. His wine Sara draws its fruit from Feudo di Mezza, and that is the only single-vineyard wine he made in 2018. He skipped over the others because of the rainy conditions that year. He farms organically.”

    Monica Larner, Wine Advocate (257)

    In Stock

  • Calabretta Piede Franco 2019

    £46.95

    Review to follow

    In Stock

  • Donnafugata Ben Rye 2021 (375ml)

    £39.95

    “The 2021 Ben Ryé is a total pleasure, seducing with a bouquet that mixes sweet smoke with tangerine, mint leaf and clove. Like pure nectar on the palate, this envelopes all it touches in texturally ripe orchard fruits and tropical melon. Sweet spices and sour citrus add contrast toward the close. It finishes spicy and long, leaving a dusty inner floral sensation and hints of candied ginger and lime. Ben Rye is always a total pleasure and, in my opinion, one of the top dessert wines produced in Italy. This varietal Zibibbo finishes at 197 grams of residual sugar per liter. Drinking window: 2023-2030. 94 points

    These new releases from Donnafugata are very strong overall, showing a continued increase in overall quality across the board. However, the 2021 Ben Ryé lacks the soaring aromatics and textural depths of the 2019 I tasted last year. Of course, this is likely to do more with the arid conditions of the vintage than anything else. Still, it’s a wonderful effort and remains what I consider to be one of Italy’s greatest dessert wines. The balanced 2019 vintage is on full display through the Cabernet-dominated Dolce & Gabbana Tancredi and Nero d’Avola-dominated Mille e una Notte. Both wines show tremendous potential. I’m not a huge fan of marketing partnerships in the wine world, such as emblazing “Dolce & Gabbana” on the label, but this is a serious wine, and it’s obvious that Donnafugata is putting a lot of effort into making it very special. Their continued efforts on Mount Etna are also noteworthy and are starting to come into their own.”

    Eric Guido, Vinous (09/23)

    In Stock

  • Donnafugata Mille e una Notte 2019

    £71.95

    “Hauntingly dark and spicy, the 2019 Mille e Una Notte opens with a burst of mentholated herbs, cloves, shaved cedar and crushed blackberries. It’s seamlessly silky and elegant throughout. Textural waves of ripe red and black fruits ride a core of vibrant acidity, leaving balsam herbal tones, cocoa and fine-grained tannins in their wake. The 2019 finishes dramatically long and structured, with a twang of tart red plums and sage. This is a radiant yet powerful rendition of Mille e Una Notte, which will benefit from and demand cellaring. Drinking window: 2025-2033. 94 points

    These new releases from Donnafugata are very strong overall, showing a continued increase in overall quality across the board. However, the 2021 Ben Ryé lacks the soaring aromatics and textural depths of the 2019 I tasted last year. Of course, this is likely to do more with the arid conditions of the vintage than anything else. Still, it’s a wonderful effort and remains what I consider to be one of Italy’s greatest dessert wines. The balanced 2019 vintage is on full display through the Cabernet-dominated Dolce & Gabbana Tancredi and Nero d’Avola-dominated Mille e una Notte. Both wines show tremendous potential. I’m not a huge fan of marketing partnerships in the wine world, such as emblazing “Dolce & Gabbana” on the label, but this is a serious wine, and it’s obvious that Donnafugata is putting a lot of effort into making it very special. Their continued efforts on Mount Etna are also noteworthy and are starting to come into their own.”

    Eric Guido, Vinous (09/23)

    In Stock

  • Donnafugata Tancredi Dolce & Gabbana 2019

    £43.95

    “The 2019 Tancredi Dolce & Gabbana is dark and intense, with an air of smoky crushed rocks and savory herbs that gives way to black currant and balsamic spice. Silky yet racy in style, this impresses further with depths of mineral-tinged red and black fruits that saturate. A web of fine-grained tannins mounts toward the close. It finishes dramatically long, structured and potent, with graphite nuances and a mentholated herbal freshness that helps to lift the experience. The Tancredi is going to need time, and a lot of it, yet it will be time well spent. It’s a radiant beauty. This is a blend of Cabernet Sauvignon, Nero d’Avola and Tannat. Drinking window: 2025-2033. 93+ points

    These new releases from Donnafugata are very strong overall, showing a continued increase in overall quality across the board. However, the 2021 Ben Ryé lacks the soaring aromatics and textural depths of the 2019 I tasted last year. Of course, this is likely to do more with the arid conditions of the vintage than anything else. Still, it’s a wonderful effort and remains what I consider to be one of Italy’s greatest dessert wines. The balanced 2019 vintage is on full display through the Cabernet-dominated Dolce & Gabbana Tancredi and Nero d’Avola-dominated Mille e una Notte. Both wines show tremendous potential. I’m not a huge fan of marketing partnerships in the wine world, such as emblazing “Dolce & Gabbana” on the label, but this is a serious wine, and it’s obvious that Donnafugata is putting a lot of effort into making it very special. Their continued efforts on Mount Etna are also noteworthy and are starting to come into their own.”

    Eric Guido, Vinous (09/23)

    In Stock

  • Frank Cornelissen MunJebel Bianco 2020

    £44.99

    “What can I say; Frank Cornelissen is at the top of his game. I think back over the last fifteen years that I’ve been tasting these wines, and I can honestly say that I have never seen such precision, purity and consistency as I’ve seen tasting the last few vintages. It all seems to have come to an apex with the 2019 crus. The best part is that 2020 is expected to be an even better vintage, and the Munjebel Rosso tasted in this report has heightened my anticipation.

    What has Cornelissen changed? Actually quite a bit. In my interview with him, he plainly stated, “My wines used to be anti-wines.” He came to Etna in the early 2000s with the idea that this was one of the few locations on earth where wine could be made without any manipulation. Mistakes were made as he learned along the way, but with time, the style of Frank Cornelissen became renowned. Unfortunately, they also became renowned for being undependable. I remember a time when I would tell people that finding a perfect bottle is very difficult; but when you do, it’s pure magic. It was because of this that many collectors became turned off to the brand, especially when you consider the price tag attached to the single-vineyard wines. Today, Cornelissen admits that his first ten years were very experimental and that he took things too close to the edge. This is still a winery that practices extreme biodynamic principles across their twenty-four hectares and eschews overhandling of the wines in the winery and cellar. However, there have been a number of changes to the process. For one thing, their team has grown, which allows for better precision pick dates and sorting. Aging and refinement is now completed in epoxy-lined fiberglass tanks, while the subterranean terracotta is reserved for small-batch projects. The wines are bottled sooner, but held longer prior to release in an attempt to capture more purity of fruit and “crunch”. Sulfur is now used, but only as necessary, and in very low doses. And then there are the stems, as since 2018 (a very difficult vintage that required drastic experimentation), Cornelissen has started using 10-15% of the stems in the fermentations. Taking all of this into consideration, one might expect the wines to have changed quite a bit, yet I still find Frank Cornelissen magic, just without the fear and guesswork of what to expect from bottle to bottle. They are ripe, sapid, full of life, with balanced structures and transparent to terroir. What’s more, they only get better the longer they are open in the bottle.

    As for the 2019 vintage in front of us, while many producers will talk about how happy they were with the year, Cornelissen will explain that the excellent result was one of selection, not nature. The winery dropped around 20% of their normal single-vineyard production in the sorting room to weed out the faulty berries within each bunch. In my opinion, the result is a selection of wines that readers will not want to miss.”

    Eric Guido, Vinous (06/22)

    In Stock

  • Frank Cornelissen MunJebel Rosso 2021

    £41.95

    “Frank Cornelissen arrived on Mount Etna in 2001 at the head of a small handful of producers who would go on to make this region famous, but fame was never his intention. The goal throughout the twenty-four hectares of Cornelissen vineyards and in the winery was to create an entirely holistic approach of capturing a snapshot of the natural ecosystem and biodiversity of Mount Etna within each bottle. This approach prohibits the use of any chemical fertilizer or pesticide in the vineyards. Only in the most difficult vintages will copper sulphate and sulfur be used, and only to prevent a complete loss of fruit. Yields are drastically reduced and harvests are completed late throughout all Munjebel, Frank Cornelissen’s single contrade or Crus, which are located in the northern valley of Mount Etna. The vineyards, many of which contain extremely old alberello or bush-trained vines, are between 600 to 1,000 meters in elevation, planted in a diverse mix of soils formed through thousands of years of volcanic activity on the Etna. In the winery, the focus is to add nothing, yet take nothing away. Fermentations start spontaneously and are completed in neutral tubs which naturally keep temperatures low. For the more structured wines, they are refined in epoxy-coated terracotta, buried up to their necks in volcanic soil. Most fans of wines from Etna have all heard this story, but if they never experienced the results, then it’s impossible to truly understand what Frank Cornelissen has accomplished. Throughout the area, there are many producers that are now turning out world-class wines, but finding one that obtains such depth of texture, the unique character of fruit aromas and flavors, and with the potential to mature evenly in a cellar, without the use of any winemaking wizardry, is not easy to do. Granted, these wines are extremely vintage-dependent, which they should be. At the top the wines can also be cost prohibitive, yet the entry-level Susucaru is a wonderful introduction to the house style. Also, readers should note that if mishandled or not stored correctly, these wines are likely to be adversely affected much quicker than other wines – but that is the price for experiencing the purity of Mount Etna; because in the end, that’s what Frank Cornelissen is bottling.”

    Eric Guido, Vinous (06/21)

    In Stock