White


Showing 181–191 of 191 results

  • Quintarelli Bianco Secco 2020

    £44.99

    “The 2020 Bianco Secco is spicy and floral with lemon-tinged orchard fruits and hints of kiwi. This is soft and soothing on the palate, with citrus-tinged apples and spice motivated by zippy acid-driven excellent depth of fruit. It’s long and spicy through the finish, also a bit tropical, while pinching at the cheeks with residual tension. The 2020 Bianco Secco over delivers in every way. This is a blend of 80% Garganega, 10% Trebbiano Toscano, 5% Sauvignon Blanc, 3% Chardonnay and 2% Saorin. Drinking window: 2022-2026. 91 points”

    Eric Guido, Vinous (04/22)

    Sold Out

  • Racines Santa Rita Hills Cuvee Chardonnay 2018

    £49.99

    “The 2018 Chardonnay Sta. Rita Hills Cuvée is bright, airy and wonderfully perfumed. Ethereal and gracious, the 2018 lifts out of the glass with striking aromatic presence to match its chiseled, mid-weight personality. This is one of the more nervy, taut Chardonnays readers will come across in 2018, and yet there is lovely breadth that emerges with a bit of time in the glass. Hints of lemon confit, white flower and marzipan linger nicely on the close. Drinking window: 2020-2026. 91 points”

    Antonio Galloni, Vinous (08/20)

    Sold Out

  • Ridge Estate Chardonnay 2019

    £57.99

    Review to follow

    Sold Out

  • Rollin Corton-Charlemagne Grand Cru 2017

    £88.99

    “Bottled. Seems subtle at first but opens up to a complex if embryonic combination of lemon and orange fruit, stony freshness and the suggestion of the round creamy character of lees and barrel. Drink: 2023-2030. 17.5 points”

    Julia Harding, Wine Advocate (01/19)

    Sold Out

  • San Lorenzo Il San Lorenzo Bianco 2009

    £74.99

    Review to follow

    Sold Out

  • Telmo Rodriguez Pegaso Barrancos de Pizarra 2017

    £36.99

    “The explosive nose of the 2017 Pegaso Barrancos de Pizarra is all thyme and flowers, really expressive, aromatic and redolent of the herbs found in the surroundings of the Gredos Mountains. It’s especially representative of the Mediterranean character of the year. It has powerful aromatics that keep growing in the glass, floral and spicy, with notes that are reminiscent of curry, nutmeg and Jamaica pepper. It’s very showy and intoxicating, with the tight tannins of the slate soils—they are chalky and finer grained than the slightly coarser tannins from granite. I am really impressed by this 2017, which is as good or better than the 2016. Bravo! 2,800 bottles were filled in July 2018. Drink: 2020-2025. 95+ points

    COVID-19 has meant a change in my tasting schedule, in some cases for good and in others for bad. I didn’t have the chance to taste the whole Telmo Rodríguez portfolio of wines like I had started doing last year, and I only tasted the wines from Gredos and Galicia to publish with the regional reports from those regions. But now that semi-normal activity resumed, the wines are hitting the market, and people have been receiving offers and asking about them. So, I asked him if he’d like to taste the rest of the wines. The wines from Gredos and Valdeorras are just a repetition of the notes I already published a few weeks ago and are included here for completeness, while the rest are tasted for the first time.”

    Luis Gutierrez, Wine Advocate (07/20)

    Sold Out

  • The Sadie Family Skerpioen 2019

    £69.99

    “The 2019 Skerpioen has a well-defined bouquet of pine cones, lanolin and wild fennel aromas that gains intensity with air. The palate is well balanced with a fine bead of acidity, full of energy and vigor, and slightly waxy in texture. Chamomile and touches of Turkish delight appear on the finish. Stand back and watch this blossom in the glass. Chenin Blanc, Palomino. Drinking window: 2022-2038. 93 points

    It had been too long since I shot the breeze with Eben Sadie. Even though we couldn’t chat in his natural habitat, the vineyard, our Zoom conversation between Surrey and the Swartland was the next best thing. As expected, our conversation meandered to cover all manner of subjects, not only pertaining to South Africa. Eben Sadie is a contradiction in the sense that he is wedded to his homeland yet has a catholic taste in wine, as evidenced by rows of Burgundy and Barolo bottles lining his office. He began in typically philosophical form, looking back at his professional career.

    “I have surpassed everything I set out to do and forged a team around me with similar capabilities. You need people to follow with the same trajectory, people that buy into your vision. It’s like a painter. You need a good studio where you feel free to practice your art. Wine is the same, but there are all these people who make it possible. We’ve gone from a staff of 10 to 25, mostly on the viticultural side. We have also acquired land, so that 80% of the vineyards are completely controlled by ourselves, even if from a financial standpoint it is much less profitable. Also, we have planted different grape varieties, which is exciting, though not all are successful.”

    One intriguing exchange concerned how Sadie reassesses the modus operandi in the winery every decade. In introducing a new approach – a change in punch-downs or aging vessel, for example – he wants to pressure-test that technique under different growing seasons and/or with different people, in order to gauge if it should be a permanent feature. Since the 2019 vintage is the 20th anniversary of Sadie Family Wines, it prompted Sadie to look back. To take just one facet of winemaking, he sees the first decade as one where everything was destemmed, then a decade when whole bunch was almost mandatory. Going forward, he plans to adopt a more nuanced approach.

    “Whole cluster is such a huge debate at the moment. When you look at regional specifics, areas with very cool climates producing fruit with high acidity, low pH and often very low potassium are most suited to whole bunch. [Looking back at previous vintages] we found in the first decade that there was a level and sophistication of tannin that was better than in the second decade. It feels like a textural aspect was lost. The second finding was that the Swartland being low in acidity and high in potassium in the stems, compounded by the droughts, means that I don’t think Swartland is the best place for whole cluster. Therefore, for the Old Vine Series reds, we took the whole cluster down from 90% to 50% in 2019. We don’t do punch-downs but more like a délestage, so that is what we will do going forward.”

    We then drilled down to discuss individual wines within his Old Vine Series of releases, commencing with the reds.

    “With respect to the 2019 Soldaat, you might have noticed a vegetal aspect in the Grenache,” Sadie told me. “In late December we have started removing leaves around the bunches to remove that aspect. I like it, but I like very austere and ungiving wines. Pofadder is a pure Cinsault vineyard, one where I noticed that it crops much lower. I don’t subscribe to the view that low crops are necessarily the best, but here I think it is a good thing. The actual bunches are smaller. We used to get a lot of side bunches but they’ve not appeared in the last three years. That’s nothing that we have done.”

    Eben Sadie is a huge fan of Tinta Barocca and once he starts on the subject, you can do little to stop him.

    “The Tinta Barocca [the variety behind Trienspoor] has had the biggest leap in quality. I think it is the best grape planted in the Swartland but it’s an unknown. Even producers don’t know where to plant it. For the 2019 we had one tank completely destemmed and another half-destemmed, so it was 20% destemmed overall, though 2021 is completely destemmed. It has Piedmont-like tannins and Northern Rhône aromatics. The problem is that it has very low yields, which is why Portuguese growers did not plant it widely after the war, when they were getting paid per kilo. But it has such intensity of flavor that I have to stop my pickers from eating the grapes during harvest. The viticulture is much better in this vineyard now. Also, the aging is improved, using conical vats and one foudre to give a little more tannin.”

    Sadie is one of the rare breeds of winemakers with no qualms about admitting that he could have done better, even though personally, I construe it as a bit of serendipity.

    “The Skurfberg [pure Chenin Blanc] was maybe picked earlier than I wanted. The drought was at its peak and yields were down to 12hl/ha instead of 25-28hl/ha. We could have picked a week later, but we would have possibly killed the vines. Even picking earlier, some vines died because in some places there was just 118mm of rain, half the norm. So it has more acidity than normal, with a green line running through the wine. It’s very strict. I’ll be watching this wine out of the corner of my eye to see whether that earlier picking is something we should pursue. Mev. Kirsten is one of those wines where I talk with a pride that can border on arrogance. But there is no vineyard like it. It’s one of the most difficult soils that we farm – it gets so wet quickly and dries just as quick. We have put a lot of organic material in that vineyard over the last 10 years. From 2017 onward it has entered a completely different realm. I took a six-pack to Burgundy and poured it for some growers, and a couple said that it drinks like a Grand Cru. That’s a huge compliment. I’m so proud of the viticulture here. I would take Aubert de Villaine into that vineyard to show him.””

    Neal Martin, Vinous (04/21)

    Sold Out

  • The Sadie Family Skurfberg 2019

    £74.99

    “The 2019 Skurfberg, which is whole-cluster-pressed Chenin matured in old foudre, has an understated bouquet of subtle undergrowth, chalk and chai tea scents that take their time to find their groove. The palate is very well balanced with a fine degree of acidity, more neutral in style than Sadie’s other 2019s, just a touch of orange zest lighting up the finish. This Skurfberg needs 4–5 years in bottle but it will certainly be worth your patience and may merit a higher score down the line. Drinking window: 2022-2036. 95+ points

    It had been too long since I shot the breeze with Eben Sadie. Even though we couldn’t chat in his natural habitat, the vineyard, our Zoom conversation between Surrey and the Swartland was the next best thing. As expected, our conversation meandered to cover all manner of subjects, not only pertaining to South Africa. Eben Sadie is a contradiction in the sense that he is wedded to his homeland yet has a catholic taste in wine, as evidenced by rows of Burgundy and Barolo bottles lining his office. He began in typically philosophical form, looking back at his professional career.

    “I have surpassed everything I set out to do and forged a team around me with similar capabilities. You need people to follow with the same trajectory, people that buy into your vision. It’s like a painter. You need a good studio where you feel free to practice your art. Wine is the same, but there are all these people who make it possible. We’ve gone from a staff of 10 to 25, mostly on the viticultural side. We have also acquired land, so that 80% of the vineyards are completely controlled by ourselves, even if from a financial standpoint it is much less profitable. Also, we have planted different grape varieties, which is exciting, though not all are successful.”

    One intriguing exchange concerned how Sadie reassesses the modus operandi in the winery every decade. In introducing a new approach – a change in punch-downs or aging vessel, for example – he wants to pressure-test that technique under different growing seasons and/or with different people, in order to gauge if it should be a permanent feature. Since the 2019 vintage is the 20th anniversary of Sadie Family Wines, it prompted Sadie to look back. To take just one facet of winemaking, he sees the first decade as one where everything was destemmed, then a decade when whole bunch was almost mandatory. Going forward, he plans to adopt a more nuanced approach.

    “Whole cluster is such a huge debate at the moment. When you look at regional specifics, areas with very cool climates producing fruit with high acidity, low pH and often very low potassium are most suited to whole bunch. [Looking back at previous vintages] we found in the first decade that there was a level and sophistication of tannin that was better than in the second decade. It feels like a textural aspect was lost. The second finding was that the Swartland being low in acidity and high in potassium in the stems, compounded by the droughts, means that I don’t think Swartland is the best place for whole cluster. Therefore, for the Old Vine Series reds, we took the whole cluster down from 90% to 50% in 2019. We don’t do punch-downs but more like a délestage, so that is what we will do going forward.”

    We then drilled down to discuss individual wines within his Old Vine Series of releases, commencing with the reds.

    “With respect to the 2019 Soldaat, you might have noticed a vegetal aspect in the Grenache,” Sadie told me. “In late December we have started removing leaves around the bunches to remove that aspect. I like it, but I like very austere and ungiving wines. Pofadder is a pure Cinsault vineyard, one where I noticed that it crops much lower. I don’t subscribe to the view that low crops are necessarily the best, but here I think it is a good thing. The actual bunches are smaller. We used to get a lot of side bunches but they’ve not appeared in the last three years. That’s nothing that we have done.”

    Eben Sadie is a huge fan of Tinta Barocca and once he starts on the subject, you can do little to stop him.

    “The Tinta Barocca [the variety behind Trienspoor] has had the biggest leap in quality. I think it is the best grape planted in the Swartland but it’s an unknown. Even producers don’t know where to plant it. For the 2019 we had one tank completely destemmed and another half-destemmed, so it was 20% destemmed overall, though 2021 is completely destemmed. It has Piedmont-like tannins and Northern Rhône aromatics. The problem is that it has very low yields, which is why Portuguese growers did not plant it widely after the war, when they were getting paid per kilo. But it has such intensity of flavor that I have to stop my pickers from eating the grapes during harvest. The viticulture is much better in this vineyard now. Also, the aging is improved, using conical vats and one foudre to give a little more tannin.”

    Sadie is one of the rare breeds of winemakers with no qualms about admitting that he could have done better, even though personally, I construe it as a bit of serendipity.

    “The Skurfberg [pure Chenin Blanc] was maybe picked earlier than I wanted. The drought was at its peak and yields were down to 12hl/ha instead of 25-28hl/ha. We could have picked a week later, but we would have possibly killed the vines. Even picking earlier, some vines died because in some places there was just 118mm of rain, half the norm. So it has more acidity than normal, with a green line running through the wine. It’s very strict. I’ll be watching this wine out of the corner of my eye to see whether that earlier picking is something we should pursue. Mev. Kirsten is one of those wines where I talk with a pride that can border on arrogance. But there is no vineyard like it. It’s one of the most difficult soils that we farm – it gets so wet quickly and dries just as quick. We have put a lot of organic material in that vineyard over the last 10 years. From 2017 onward it has entered a completely different realm. I took a six-pack to Burgundy and poured it for some growers, and a couple said that it drinks like a Grand Cru. That’s a huge compliment. I’m so proud of the viticulture here. I would take Aubert de Villaine into that vineyard to show him.””

    Neal Martin, Vinous (04/21)

    Sold Out

  • Valette Macon-Villages 2017

    £25.99

    “Aromas of minty green apples and citrus oil introduce the 2017 Mâcon-Villages, a medium to full-bodied, supple and fleshy wine that’s bright and layered, concluding with a saline finish. This bottling comes from comparatively young vines and is vinified and matured in tank. The 2017 is quite easy to understand and makes a great introduction to the wines of this fascinating and idiosyncratic domaine. Drinking window: 2019-2029. 89 points

    After years of trying, it was with great interest that I at last paid a visit to Philippe Valette’s elusive 8.5-hectare Chaintré estate. The Valette family were the first to exit the local cooperative, and they rapidly won a reputation for rich, concentrated wines that were frequently celebrated in the pages of this publication. On leaving school in 1990, Philippe began to convert the domaine to organic farming, and since 1992, their wines have never been chaptalized. Influenced by a meeting with Pierre Overnoy, Valette has come to identify with the natural wine movement, and today, his wines see little or no sulfur and increasingly long élevage—indeed, the 2006 Clos de Monsieur Noly spent fully 12 years in barrel. If the estate’s wines through the late 1990s were simply powerful, textural examples of high-quality white Burgundy (notes on several will appear in the next installment of Up From the Cellar), the wines being released today belong in a category of their own. Complex and sapid, I find them fascinating, but readers should be prepared to find wines that are quite different from any of the Valettes’ neighbors. Anyone who appreciates the Jura bottlings of Jean-François Ganevat or the Thomas Pico Chablis wines is likely to love them! My experience is that they often benefit from extended aeration, and I tend to decant Valette’s wines or follow them over several days.”

    William Kelley, Wine Advocate (244)

    Sold Out

  • Williams Selyem Drake Estate Vineyard Chardonnay 2017

    £99.99

    “The 2017 Chardonnay Drake Estate Vineyard offers scents of quince peel, green apple, cheese rind and baker’s yeast, opening to notes of dried chamomile, toast and almonds. It’s light to medium-bodied and lively in the mouth with creamy/nutty touches, tangy acidity and a long, almond-tinged finish. 352 cases produced. Drink: 2020-2026. 91 points

    California lost one of its great wine pioneers with the passing of Burt Williams in December 2019. The first commercial vintage of Williams Selyem was in 1981, and all these years later, it remains a benchmark for Pinot Noir in California. Williams influenced countless winemakers and was integral in shaping the wine landscape in California that we are fortunate to inherit today. We raise our glasses in your honor.”

    Erin Brooks, Wine Advocate (12/19)

    Sold Out

  • Williams Selyem Unoaked Chardonnay 2017

    £67.99

    “The 2017 Unoaked Chardonnay has a pretty, fresh nose with citrus blossom, tangerine, spring honey and stone fruit aromas. The palate is light-bodied with pure fruits in the mouth, tangy acidity and a long, floral finish. 755 cases were made. Drink: 2019-2023. 90 points”

    Erin Brooks, Wine Advocate (242)

    Sold Out